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REVOICE PRO 4 SOFTWARE
REVOICE PRO 4 PROFESSIONAL

When working on your tracks you have to import the audio you want to work on in addition to the isolated backing tracks (assuming you want to hear those too). You can also choose whether you’d like your playhead to play from where it stops or to replay from where you started it. It is here that you can set the song key, change the grid to Bars & Beats for musical projects, and adjust the master/cue volume. Transport control is located at the bottom of the screen. Each track has a scribble strip, volume slider, a pan slider, a mute button, a solo button, a shortcut to make fullscreen, and a lock button that will prevent edits to be made. The interface is minimal in an what seems purely out of necessity, Revoice Pro 4 isn’t trying to replace your DAW for mixing or adding effects but it provides simple controls for you to monitor your audio until you’ve finished processing it.

REVOICE PRO 4 SOFTWARE

If you’re really put off by that prospect, there are plugins provided meant to aid you in the process of getting audio from your DAW into Revoice Pro we did not utilize those link plugins when exploring the software so they will be left out of this review. For all you other producers out there lacking attention then you may like being forced to work with the standalone software. This is only a slight inconvenience in workflow, we actually felt we were able to focus better on the task at hand when limited to the functions Revoice Pro 4 is capable of.

A consistent working environment inside Revoice Pro regardless of audio source.

For example, you can have multiple processing sessions open simultaneously and multiple views of any of those sessions.

Revoice Pro also allows multiple sessions to be open or one session open in multiple windows.

Support for a multi-track and multi-process environment with no limits on timecode positions and over 100 tracks – giving you maximum flexibility and speed of operations.

Modifications to Guide tracks can be automatically passed on to all tracks related to those Guides.

Simple, one-key controls of a “process-based auditioning” for rapidly auditioning combinations of input and output signals to check the quality of modifications.

A novel and effective “region-based processing” approach to audio processing in which inputs to processing modules are inserted where required along the timeline in Process Control Tracks and can have different settings along the same track.

The ability to implement and load audio into multi-input processes and process many tracks at the same time.

Revoice Pro 4 operates as a standalone piece of software, SynchroArts cites processing speed as the primary reason for this and, Three audio tracks are displayed and you have the option to add more. It’s mostly black and green and looks like a hacker version of ProTools in fact, it looks like we’re somewhere in the Matrix (which Revoice Pro was actually used during the postproduction on). When first opening the software we were greeted with a stripped down version of an arrangement view found in most DAWs.

REVOICE PRO 4 PROFESSIONAL

Say that singer missed a few notes, just import the audio into Revoice Pro 4 and get to correcting! From warping, doubling, pitch adjustments in singing, instruments and ADR Revoice Pro 4 is a must-have for anyone working in the professional studio environment. Want to synchronize the vocal phrasing during the takes of an artist you just recorded comps for? Done. Say you want to line up a pair of instruments playing the same melody line, you can do that. Revoice Pro 4 can be used to process vocals or instruments that need corrections or fine-tuning (literally) done to their pitch and timing. We recently had the opportunity to try out SynchroArts’ incredible timing and tuning software, Revoice Pro 4. These upcoming addtions awill be very helpful if you really prefer to work inside of your DAW. Until then you can use Revoice Pro 4 in standalone and focus on your task at hand. Support for Logic Pro, Reaper, and other DAWs is in the works. Revoice Pro 4 operates as a standalone software unless you have Studio One 4… for now. You now have more control than ever to the warp editing process. Warp point speed ramps, a dedicated Reset Tool for edits, a more responsive and accurate pencil tool, the ability to display the original pitch next to the edit, anchoring on the pitch center for sloping pitch, and defining the pitch limits per adjustment are now available to users.

The warping process within Revoice Pro 4 is the strongest we have ever had experience with, and lucky for us it just got stronger. Well, you can utilize the warping process in Revoice Pro 4 to adjust those things with extreme precision while maintaining the quality of the sound. Have you ever wanted your vocalist to hold a note a bit longer, or maybe the timing was just off just a beat?